A little over fifteen years ago, I was struck by Kazimierz Dzyga's first pictures.
"Struck" is the word, because the subjects, the compositions, and the harmonies have remained fixed in my memory.
Today, Dzyga is a great painter who has succeded in mastering his talent. But I particularly like the fact that he has not given up his preocupations with woman, and with stone. They remain the heys to the silence, the fantasy which amanates from all his work, and which informs their diquieting power.
He is a magnificent artist, ruling over the imaginary whis an uncanny, porent realism.
He needs only paint a drop of water, for it to enclose and reflect an entire universe.

 Jacques- Laurent  of the Académie française, 1985.